{"id":1678,"date":"2019-09-08T08:56:26","date_gmt":"2019-09-08T08:56:26","guid":{"rendered":"https:\/\/michaelseibel.eu\/?page_id=1678"},"modified":"2019-11-17T19:58:42","modified_gmt":"2019-11-17T19:58:42","slug":"texts-theatre-opera","status":"publish","type":"page","link":"https:\/\/michaelseibel.eu\/index.php\/texts-theatre-opera\/","title":{"rendered":"Texts: Theatre &#038; Opera"},"content":{"rendered":"\n<style><\/style><div class=\"wplp_outside wplp_widget_1972\" style=\"max-width:100%;\"><div id=\"wplp_widget_1972\" class=\"wplp_widget_default wplp_container vertical swiper wplp-swiper default cols1\" data-theme=\"default\" data-post=\"1972\" style=\"\" data-max-elts=\"5\" data-per-page=\"10\"><div class=\"wplp_listposts swiper-wrapper\" id=\"default_1972\" style=\"width: 100%;\" ><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_1972_2062\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/aspekte-eines-phanomenologischen-schauspielansatzes-b\/\"  class=\"title\">Aspekte eines Ph\u00e4nomenologischen Schauspielansatzes &#8211; B<\/a><\/div><\/div><div id=\"wplp_box_left_1972_2062\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_1972_2062\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_1972_2062\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"author\">michael_Seibel<\/span><span class=\"date\">October 20, 2022<\/span><span class=\"text\"><span style=\"max-height:2.8em\" class=\"line_limit\">Intersubjektivit\u00e4t und die Interaktion im Raum \u201eDazwischen\u201c, im Sinne einer um den Responsivit\u00e4tsgedanken erweiterten Ph\u00e4nomenologie, sind als Bedingungen f\u00fcr Fremderfahrungen im produktions\u00e4sthetischen Schauspielprozess zu denken und lassen den Paradigmenwechsel von Textualit\u00e4t zu Performativit\u00e4t als das die Schauspielenden leiblich in Anspruch nehmende Fremde erscheinen Im Vordergrund steht hier der Gedanke, dass die Wirklichkeit einer Theatererfahrung nicht [&hellip;]<\/span><span style=\"margin-left:3px; max-height:2.8em\" class=\"line_limit\"> [...]<\/span><\/span><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/aspekte-eines-phanomenologischen-schauspielansatzes-b\/\"  class=\"read-more\">Read more...<\/a><\/div><\/div><\/div><\/div><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_1972_2060\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/aspekte-eines-phanomenologischen-schauspielansatzes-a\/\"  class=\"title\">Aspekte eines ph\u00e4nomenologischen Schauspielansatzes &#8211; A<\/a><\/div><\/div><div id=\"wplp_box_left_1972_2060\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_1972_2060\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_1972_2060\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"author\">michael_Seibel<\/span><span class=\"date\">October 20, 2022<\/span><span class=\"text\"><span style=\"max-height:2.8em\" class=\"line_limit\">Die Ph\u00e4nomenologie des Leibes und die sie bestimmende Ambiguit\u00e4t des Leibes als entscheidender Impuls f\u00fcr eine Neubewertung des kreativen Handelns im Rahmen produktions\u00e4sthetischer Schauspielprozesse und der L\u00f6sung des Pr\u00e4senzproblems von Schauspielenden innerhalb von Auff\u00fchrungssituationen Das Bem\u00fchen um kreatives Handeln sowie das Pr\u00e4senzph\u00e4nomen von Schauspielenden sowohl in der Probenarbeit als auch in Auff\u00fchrungssituationen stehen seit jeher [&hellip;]<\/span><span style=\"margin-left:3px; max-height:2.8em\" class=\"line_limit\"> [...]<\/span><\/span><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/aspekte-eines-phanomenologischen-schauspielansatzes-a\/\"  class=\"read-more\">Read more...<\/a><\/div><\/div><\/div><\/div><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_1972_2055\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/bodily-awareness-as-a-necessary-condition-for-creative-work-in-the-aesthetic-production-process-in-acting\/\"  class=\"title\">Bodily awareness as a necessary condition for creative work in the aesthetic production process in acting<\/a><\/div><\/div><div id=\"wplp_box_left_1972_2055\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_1972_2055\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_1972_2055\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"author\">michael_Seibel<\/span><span class=\"date\">October 20, 2022<\/span><span class=\"text\"><span style=\"max-height:2.8em\" class=\"line_limit\">Introduction The aesthetic production processes in the field of the arts are regarded quite naturally as creative processes, without questioning what creativity actually is in its processuality. In a similar way, this also applies to the acting process in the performing arts. Thus, one can observe that the terms artistic work and creativity are generally [&hellip;]<\/span><span style=\"margin-left:3px; max-height:2.8em\" class=\"line_limit\"> [...]<\/span><\/span><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><a href=\"https:\/\/michaelseibel.eu\/index.php\/2022\/10\/20\/bodily-awareness-as-a-necessary-condition-for-creative-work-in-the-aesthetic-production-process-in-acting\/\"  class=\"read-more\">Read more...<\/a><\/div><\/div><\/div><\/div><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_1972_1840\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/michaelseibel.eu\/index.php\/2019\/09\/12\/the-theatre-and-focusing-a-double-process\/\"  class=\"title\">The Theatre and Focusing a double Process<\/a><\/div><\/div><div id=\"wplp_box_left_1972_1840\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_1972_1840\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_1972_1840\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"author\">michael_Seibel<\/span><span class=\"date\">September 12, 2019<\/span><span class=\"text\"><span style=\"max-height:2.8em\" class=\"line_limit\">I was born and raised in Germany where I studied music and dramatic arts. I worked for many years as a theatre director in Germany, but in 1994 I followed an inner impulse and moved to Athens, Greece. I now work in Greece as a theatre director and acting teacher at several drama schools. I [&hellip;]<\/span><span style=\"margin-left:3px; max-height:2.8em\" class=\"line_limit\"> [...]<\/span><\/span><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><a href=\"https:\/\/michaelseibel.eu\/index.php\/2019\/09\/12\/the-theatre-and-focusing-a-double-process\/\"  class=\"read-more\">Read more...<\/a><\/div><\/div><\/div><\/div><div class=\"swiper-slide\" style=\"\"><div class=\"insideframe\"><div id=\"wplp_box_top_1972_1807\" class=\"wpcu-front-box top equalHeightImg\" ><div class=\"wplp-box-item\"><a href=\"https:\/\/michaelseibel.eu\/index.php\/2019\/09\/08\/phenomenology-in-theatre\/\"  class=\"title\">\u0393\u03b9\u03b1 \u03bc\u03af\u03b1 \u03c6\u03b1\u03b9\u03bd\u03bf\u03bc\u03b5\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c3\u03c4\u03bf \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf<\/a><\/div><\/div><div id=\"wplp_box_left_1972_1807\" class=\"wpcu-front-box left wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_right_1972_1807\" class=\"wpcu-front-box right wpcu-custom-position\" ><div class=\"wplp-box-item\"><\/div><\/div><div id=\"wplp_box_bottom_1972_1807\" class=\"wpcu-front-box bottom \" ><div class=\"wplp-box-item\"><span class=\"author\">michael_Seibel<\/span><span class=\"date\">September 8, 2019<\/span><span class=\"text\"><span style=\"max-height:2.8em\" class=\"line_limit\">&#8211; \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb&#8211; \u00ab\u039d\u03b1\u03b9!\u00bb&#8211; \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb&#8211; \u00ab\u039d\u03b1\u03b1\u03b1\u03b1\u03b1\u03b9\u03b9\u03b9\u03b9\u03b9\u03b9!\u00bb (Roselt 2008: 10) \u03a0\u03b5\u03c1\u03af \u03b8\u03b5\u03ac\u03c4\u03c1\u03bf\u03c5 \u03b3\u03b5\u03bd\u03b9\u03ba\u03ac \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb, \u03c1\u03c9\u03c4\u03ac\u03b5\u03b9 \u03bf \u039a\u03ac\u03c3\u03c0\u03b5\u03c1, \u03ad\u03bd\u03b1\u03c2 \u03b1\u03c3\u03c4\u03b5\u03af\u03bf\u03c2 \u03be\u03c5\u03bb\u03bf\u03ba\u03ad\u03c6\u03b1\u03bb\u03bf\u03c2, \u03c4\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03ce\u03c4\u03b7 \u03c4\u03bf\u03c5\u03c2 \u03af\u03c3\u03c9\u03c2 \u03b8\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae \u03b5\u03bc\u03c0\u03b5\u03b9\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u00ab\u03c0\u03b1\u03c1\u03cc\u03bd\u03c4\u03b5\u03c2\u00bb \u03bd\u03b5\u03b1\u03c1\u03bf\u03af \u03b8\u03b5\u03b1\u03c4\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b1\u03c0\u03b1\u03bd\u03c4\u03bf\u03cd\u03bd \u03bc\u03b5 \u03b4\u03c5\u03bd\u03b1\u03c4\u03ae \u03c6\u03c9\u03bd\u03ae \u00ab\u039d\u03b1\u03b9\u00bb. \u0391\u03c5\u03c4\u03ae \u03b7 (\u03c0\u03bf\u03bb\u03cd \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae) \u03b5\u03c1\u03ce\u03c4\u03b7\u03c3\u03b7 \u03b8\u03b1 \u03c3\u03c5\u03bd\u03bf\u03b4\u03b5\u03cd\u03b5\u03b9 \u03c4\u03bf\u03cd\u03c2 \u03bc\u03b5\u03bb\u03bb\u03bf\u03bd\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03b5\u03bd\u03ae\u03bb\u03b9\u03ba\u03b5\u03c2 \u03b8\u03b5\u03b1\u03c4\u03ad\u03c2 \u03c3\u03b5 [&hellip;]<\/span><span style=\"margin-left:3px; max-height:2.8em\" class=\"line_limit\"> [...]<\/span><\/span><span class=\"custom_fields\">\n<!-- WPLP Unknown field: Custom_Fields -->\n<\/span><a href=\"https:\/\/michaelseibel.eu\/index.php\/2019\/09\/08\/phenomenology-in-theatre\/\"  class=\"read-more\">Read more...<\/a><\/div><\/div><\/div><\/div><\/div><div class=\"swiper-button-next\"><\/div><div class=\"swiper-button-prev\"><\/div><div class=\"swiper-pagination\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"- \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb- \u00ab\u039d\u03b1\u03b9!\u00bb- \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb- \u00ab\u039d\u03b1\u03b1\u03b1\u03b1\u03b1\u03b9\u03b9\u03b9\u03b9\u03b9\u03b9!\u00bb (Roselt 2008: 10) \u03a0\u03b5\u03c1\u03af \u03b8\u03b5\u03ac\u03c4\u03c1\u03bf\u03c5 \u03b3\u03b5\u03bd\u03b9\u03ba\u03ac \u00ab\u0395\u03af\u03c3\u03c4\u03b5 \u03cc\u03bb\u03bf\u03b9 \u03b5\u03b4\u03ce;\u00bb, \u03c1\u03c9\u03c4\u03ac\u03b5\u03b9 \u03bf \u039a\u03ac\u03c3\u03c0\u03b5\u03c1, \u03ad\u03bd\u03b1\u03c2 \u03b1\u03c3\u03c4\u03b5\u03af\u03bf\u03c2 \u03be\u03c5\u03bb\u03bf\u03ba\u03ad\u03c6\u03b1\u03bb\u03bf\u03c2, \u03c4\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03ce\u03c4\u03b7 \u03c4\u03bf\u03c5\u03c2 \u03af\u03c3\u03c9\u03c2 \u03b8\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae \u03b5\u03bc\u03c0\u03b5\u03b9\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u00ab\u03c0\u03b1\u03c1\u03cc\u03bd\u03c4\u03b5\u03c2\u00bb \u03bd\u03b5\u03b1\u03c1\u03bf\u03af \u03b8\u03b5\u03b1\u03c4\u03ad\u03c2 \u03c4\u03bf\u03c5 \u03b1\u03c0\u03b1\u03bd\u03c4\u03bf\u03cd\u03bd \u03bc\u03b5 \u03b4\u03c5\u03bd\u03b1\u03c4\u03ae \u03c6\u03c9\u03bd\u03ae \u00ab\u039d\u03b1\u03b9\u00bb. \u0391\u03c5\u03c4\u03ae \u03b7 (\u03c0\u03bf\u03bb\u03cd \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae) \u03b5\u03c1\u03ce\u03c4\u03b7\u03c3\u03b7 \u03b8\u03b1 \u03c3\u03c5\u03bd\u03bf\u03b4\u03b5\u03cd\u03b5\u03b9 \u03c4\u03bf\u03cd\u03c2 \u03bc\u03b5\u03bb\u03bb\u03bf\u03bd\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03b5\u03bd\u03ae\u03bb\u03b9\u03ba\u03b5\u03c2 \u03b8\u03b5\u03b1\u03c4\u03ad\u03c2 \u03c3\u03b5 [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/content-left.php","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Texts: Theatre &amp; 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